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Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

Nice movie clip from HERCULES showing armies and VFX work by Cinesite: The VFX are made by: Double Negative (VFX Supervisor : Ryan Cook) Milk Visual Effects...

Nice clip of INTO THE STORM featuring tornadoes and lots of destruction: The VFX are made by: Digital Domain (VFX Supervisor : Jay Barton) MPC (VFX Supervisor...

Here is a exclusive IMAX trailer for EDGE OF TOMORROW : The VFX are made by: Sony Pictures Imageworks (VFX Supervisor : Daniel Kramer) Framestore (VFX Supervisor...

Here is the brand new trailer for IRON MAN 3. The VFX are made by : Weta Digital (VFX Supervisors: Guy Williams & Matt Aitken) Digital Domain...

In 2010, Sue Rowe had told us about his work on PRINCE OF PERSIA. She then moved on the most ambitious project to date at Cinesite: JOHN CARTER. In the following interview, Sue presents in detail her work of more than two years on this film.

Stephane Paris began his career in Paris in many studios like Duran Duboi on films like ASTERIX & OBELIX: MISSION CLEOPATRE or IMMORTAL (AD VITAM). He then worked at MPC and Weta Digital. In 2006, he joined the teams of Cinesite. He supervised the CG of movies like CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME or THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER.