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PET SEMATARY: Damien Hurgon – VFX Supervisor – Mr. X

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Damien Hurgon began his career in visual effects in 2008 at Mikros Image. He works on many projects like GAINSBOURG, RUST AND BONE, 9-MONTH STRETCH and STRONGER. In 2017, he joined the teams of Mr. X.

CAPTAIN MARVEL: Dominik Zimmerle – VFX Supervisor – Trixter

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In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.

AQUAMAN: Josh Simmonds & Craig Wentworth – VFX Supervisors – Method...

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With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

THE BALLAD OF BUSTER SCRUGGS: Alex Lemke & Michael Huber –...

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Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.

THE SISTERS BROTHERS: Stephane Thibert – CG Supervisor – Mikros Image

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Stephane Thibert began his career in the visual effects in 1996 at Fantome Animation. He then worked in many studios like Sparx and Mathematic Studios before joining Mikros Image in 2007. He has worked on many projects such as RUST AND BONE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and SEE YOU UP THERE.

THE MEG: Mohsen Mousavi – VFX Supervisor – Scanline VFX

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Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline VFX in 2012 and works on 300: RISE OF AN EMPIRE. He then takes care of the effects on POMPEII, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.

JURASSIC WORLD – FALLEN KINGDOM: Pietro Ponti – VFX Supervisor –...

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Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10'000 BC, THE DARK KNIGHT, TERMINATOR GENISYS...

DEADPOOL 2: Sean Konrad (VFX Supervisor) & John Likens (Creative Director)...

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Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

AVENGERS – INFINITY WAR: Greg Steele – VFX Supervisor – Method...

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Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.

PACIFIC RIM – UPRISING: Jedediah Smith – Compositing Supervisor – Atomic...

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Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.