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In 2021, Dave Morley explained the work of Fuel VFX on Mission Impossible: Ghost Protocol. He then worked on various films such as Unbroken,...

In 2018, Atsushi Doi told us about the work of Digital Frontier on Bleach. He is back today to tell us about his new...

Earlier this year, Craig Hammack told us about the work of ILM on BLACK PANTHER. He talks to us today about his work and the challenges on SKYSCRAPER.

After working for several years in various agencies and as freelance, Peter Eszenyi joined Territory Studio in 2012. He works on many projects such as GUARDIANS OF THE GALAXY, EX MACHINA, GHOST IN THE SHELL and BLADE RUNNER 2049.

Stephane Nazé has been working in visual effects for more than 20 years. He worked at BUF and Method Studios before joining Framestore in 2014. As VFX Supervisor at Framestore, he took care of the effects of PAN, NOW YOU SEE ME 2 and FANTASTIC BEASTS AND WHERE TO FIND THEM.

Great news! Double Negative will open an office in Montreal in early 2018. Their first project will be THE KID WHO WOULD BE KING by...

Here is the complete list of the nominees for the 14th Annual VES Awards: Congratulations to everyone and good luck ;) Outstanding Visual Effects in a...

Here is the recap of my interviews of the week #34. So you won't miss any of them. TED 2: Glenn Melenhorst - VFX Supervisor...

Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.

Nice video interview by starwars.com of John Knoll, Chief Creative Officer & Senior VFX Supervisor, about his first contact with Industrial Light & Magic...