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In November 2016, Alexis Wajsbrot and Jonathan Fawkner talked about the work of Framestore on DOCTOR STRANGE. And in April of this year, Kyle McCulloch explained to us about his work on BEAUTY AND THE BEAST. They are now talking about the last act of THOR: RAGNAROK.
Dave Hodgins has been working in visual effects for over 17 years. He started his career at Digital Domain and has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, TRANSFORMERS: DARK OF THE MOON, ENDER'S GAME and POWER RANGERS.
Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.
Andrew Hellen has more than 20 years of experience in the visual effects. He worked at Fuel VFX and Iloura before joining Method Studios. He took care of the effects of films such as IRON MAN 2, GODS OF EGYPT, GHOSTBUSTERS and FANTASTIC BEASTS AND WHERE TO FIND THEM.
Simon Maddison is back on The Art of VFX. After he discuss the effects of Fuel VFX on COWBOYS & ALIENS, now he explains his work on THE AVENGERS.
Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.
Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.
Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.