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Oscars 2018: the 20 contenders for the Best VFX

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The Academy of Motion Picture Arts and Sciences have announced the 20 films for the Best Visual Effects for the 90th Academy Awards: ALIEN:...

19th Annual VES Awards: The Nominees

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The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

THE CROWN – Season 4: Andrew Scrase (VFX Supervisor) & Standish...

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Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

THE WITCHER: Christopher Gray – VFX Producer – Framestore

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What is your background? Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...

AVENGERS – INFINITY WAR: Oliver Schulz – VFX Supervisor – RISE

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Oliver Schulz began his career in visual effects in 2011 at RISE. He has worked on many films such as CLOUD ATLAS, THE MAN FROM U.N.C.L.E., DOCTOR STRANGE and BLACK PANTHER.

The VES 70: The 70 Most Influential Visual Effects Films of...

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The Visual Effects Society purpose this great video that compiles the best of visual effects work from 1900 to 2015! What's your favorites? You can...

STAR TREK BEYOND: Seth Hill – Environment Supervisor – Atomic Fiction

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Seth Hill joined Atomic Fiction in 2013 as a matte painter. He has worked on films such as TRANSFORMERS: AGE OF EXTINCTION, GAME OF THRONES or THE WALK. He became Environment Supervisor on DEADPOOL.

GODZILLA: Ferran Domenech – Animation Supervisor – MPC

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Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

BEAUTY AND THE BEAST: Laurent Taillefer – CG Supervisor – Mokko...

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Laurent Taillefer worked for more than 10 years in visual effects. He worked in France especially at Mikros Image then went to Montreal. He worked for several studios such as New Breed Vfx, Vision Globale or Mokko Studio and participated in projects like PIRANHA 3D, MIRROR MIRROR or ASTERIX AND OBELIX: GOD SAVE BRITANNIA.

G.I. JOE – RETALIATION: Bill George – VFX Supervisor – ILM

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Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.