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With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.
In 2016, Jeff White explained the work of ILM on WARCRAFT. He then worked on KONG: SKULL ISLAND. Cedric Lo began his career in visual effects in the early 2000s. He worked on many films such as TRANSFORMERS: DARK OF THE MOON, PACIFIC RIM, CAPTAIN AMERICA: CIVIL WAR and WARCRAFT.
Bryan Hirota told us about the work of Scanline VFX on BATMAN V SUPERMAN: DAWN OF JUSTICE in 2016. He then worked on THE PROMISE and JUSTICE LEAGUE.
Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.
Roger Guyett explained the ILM's work on STAR WARS - THE FORCE AWAKENS in 2016. READY PLAYER ONE marks his new collaboration with director Steven Spielberg. In 2012, Grady Cofer told us about his work on BATTLESHIP. He then worked on many films such as LONE SURVIVOR, NOAH and TERMINATOR GENISYS.
The nominations for the 16th Annual VES Awards have just been announced! OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE Blade Runner 2049 John Nelson Karen Murphy...
Pete Dionne has been working in the visual effects for over 16 years. He took care of the effects of many films such as THE LONE RANGER, ELYSIUM, 300: RISE OF AN EMPIRE or THE AMAZING SPIDER-MAN 2. As a VFX Supervisor, he worked on GOOSEBUMPS and then PASSENGERS.
Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.
In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.
Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.