i frankenstein - résultats de la recherche

Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche

Look back on 2013 and the expectations of 2014

1
For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

THE WOLVERINE: James Rogers – VFX Supervisor – Method Studios

0
James Rogers had explained us about his work on DAYBREAKERS. He then joined Method Studios and worked on many projects like THE HUNTER, ARGO or SEVEN PSYCHOPATHS.

THE WOLVERINE: Glenn Melenhorst – VFX Supervisor – Iloura

0
Glenn Melenhorst spoke about the effects of Iloura for DON'T BE AFRAID OF THE DARK in 2010, then he worked on films such as PRIEST, TED or AFTER EARTH.

THE WOLVERINE: Tim Crosbie – VFX Supervisor – Rising Sun Pictures

0
Tim Crosbie began his career in the VFX more than 15 years ago and has worked on movies such as WHAT DREAMS MAY COME, THE MATRIX or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Tim is a part of the Rising Sun Pictures team for over ten years and supervised the effects of films like THE LAST SAMURAI, SUPERMAN RETURNS, PROMETHEUS or THE GREAT GATSBY.

THIS MEANS WAR: Mitchell Drain – VFX Supervisor – Method Studios

0
Mitchell Drain began his career in 1985 as a roto artist at Robert Abel and Associates. Subsequently, he worked on the Flame and Inferno systems. He has participated in projects such as JUDGE DREDD, INDEPENDENCE DAY, BLACK HAWK DOWN or MINORITY REPORT. In 2004, he joined Asylum and became VFX Supervisor and will handle films like MASTER AND COMMANDER, NATIONAL TREASURE: BOOK OF SECRETS, THE UNBORN or G-FORCE. In the following interview, he talks about his work for THIS MEANS WAR.

TRANSFORMERS: DARK OF THE MOON – Scott Farrar – VFX Supervisor...

0
Scott Farrar began his VFX career with STAR TREK: THE MOTION PICTURE. He joined ILM in 1981 and works on most legendary projects of the studio like the BACK TO THE FUTURE trilogy, WILLOW, WHO FRAMED ROGER RABBIT or JURASSIC PARK. As a VFX supervisor, he worked on movies like BACKDRAFT, MINORITY REPORT or the TRANSFORMERS trilogy. He received an Oscar for Best Visual Effects for COCOON.

SEASON OF THE WITCH: Blair Clark – VFX Supervisor – Tippett...

1
Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.

THE EXPENDABLES: Wes Caefer – VFX Supervisor – Worldwide FX

1
Wes Caefer is a self-taught artist. He oversaw several projects at Worldwide FX. THE EXPENDABLES is the second collaboration between Wes and Sylvester Stallone with RAMBO.