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Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.
After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS. Dave Cook began his career in visual effects in 2004. He worked in many studios and then became Head of 3D at Jellyfish Pictures in 2015.
Dan Bethell began his career in 2001 at MPC. He works in many studios such as Rising Sun Pictures, Iloura and Method Studios. He worked on films like BATMAN BEGINS, TERMINATOR SALVATION, SPIDER-MAN: HOMECOMING and THOR: RAGNAROK.
Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.
Espen Nordahl began his career in the visual effects in 2005 at Storm Studios. He has worked on many films such as TROLLHUNTER, JOHN CARTER, IRON MAN 3 and MAN OF STEEL. He returns to Storm Studios in 2013 and takes care of the effects of films like PIXELS and THE FATE OF THE FURIOUS.
Karen Murphy began her career in the visual effects almost 25 years ago. She has produced the effects of many films such as TITANIC, WILD WILD WEST, HUGO and FURIOUS 7.
Christian Kaestner began his career in visual effects in 2006 at The Orphanage and then joined the Framestore teams in 2007. He has worked on numerous projects such as AVATAR, GRAVITY, EDGE OF TOMORROW and PADDINGTON. With more than 16 years experience at Framestore, Stuart Penn has worked on many projects such as THE GOLDEN COMPASS, AVATAR, GRAVITY and GUARDIANS OF THE GALAXY.
In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.
This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...
Mike Janov has been working in the visual effects for over 20 years. He has worked for many studios such as The Orphanage, Spy Post, Industrial Light & Magic and Atomic Fiction. As an Associate VFX Supervisor, he took care of the effects of SAN ANDREAS, GAME OF THRONES: SEASON 5 or DEADPOOL.