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The Tomorrow War: Stephane Naze (VFX Supervisor) & Kyle Dunlevy (Animation...

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In 2018, Stephane Naze explained the work of Framestore on Deadpool 2. He then worked on Artemis Fowl and on the series His Dark...

Lisey’s Story: Pauline Duvall – Overall VFX Supervisor

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In 2016, Pauline Duvall told us about her work on Deadpool! She then worked on many films such as 10 Cloverfield Lane, Star Trek...

Love, Death + Robots – Volume 2: Tim Miller (Creator &...

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In 2019, Tim Miller had explained his work on the first season of Love, Death + Robots but also on Terminator: Dark Fate. Today...

DNEG Motion Graphics Showreel

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Fans of motion graphics? Then be sure to watch this showreel by DNEG featuring the work on Hobbs & Shaw, Altered Carbon, Star Trek:...

ALTERED CARBON – SEASON 2: Dan Charbit (VFX Supervisor) & Barry...

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Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

TERMINATOR – DARK FATE: Jeff White, David Seager, Alex Wang (VFX...

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At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

TERMINATOR – DARK FATE: Jay Barton – VFX Supervisor – Digital...

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In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.

MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX

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In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.

TERMINATOR – DARK FATE: Tim Miller – Director & Co-Founder of...

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In April 2019, Tim Miller told us about his work on LOVE, DEATH & ROBOTS. Today, he talks about the challenges of his new film, TERMINATOR: DARK FATE.

AD ASTRA: Allen Maris – Overall VFX Supervisor & VFX Producer

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Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.