catching fire - résultats de la recherche

In 2019, Pablo Helman explained the visual effects work made by ILM on The Irishman. He went on to work on Mank, Obi-Wan Kenobi...

Mohen Leo has over 28 years of experience in visual effects. He has worked on many projects such as Poseidon, 2012, The Martian and...

Dominic Hellier started his career in visual effects 19 years ago at Iloura which later became Method Studios and now Framestore. He has worked...

Louis Laflamme-Fillion has been working in visual effects for over 10 years. He has worked in many studios such as Mokko Studio, MPC, Fin...

With almost 30 years of experience in VFX and CG, Kay Delventhal has worked in many studios and on a large number of projects....

Adam Valdez talked to us in 2012 about the work of MPC on JOHN CARTER. Then he worked on WORLD WAR Z and MALEFICENT. Today, he explains in detail about the impressive work on THE JUNGLE BOOK.

Wes Caefer is a self-taught artist. He oversaw several projects at Worldwide FX. THE EXPENDABLES is the second collaboration between Wes and Sylvester Stallone with RAMBO.

After working at Mill Film for HARRY POTTER AND THE CHAMBER OF SECRETS, Ged Wright joined Double Negative in 2002 and works on HARRY POTTER AND THE GOBLET OF FIRE, HARRY POTTER AND THE ORDER OF THE PHENIX or 10,000 BC. He has just finished overseeing IRON MAN 2.

Alessandro Cioffi has built his knowledge of visual effects by working in various studios in Italy, London or Germany. He participated to the compositing of such movies as 300, KINGDOM OF HEAVEAN or SWEENEY TODD. He joined the Trixter in 2007 and NINJA ASSASSIN mark its first movie as visual effects supervisor. He talks about his work on NINJA ASSASSIN and how Trixter has managed this ambitious project.