black panther - search results
If you're not happy with the results, please do another search
Last year, Mike Brazelton explained the work of DNEG on DEADPOOL 2. In 2017, Stuart Lashley told us about DNEG's work on THOR: RAGNAROK. He then worked on BLACK PANTHER.
Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.
Last year, Craig Hammack explained the work of ILM on BLACK PANTHER and SKYSCRAPER. He talks to us today about CAPTAIN MARVEL.
At the beginning of the year, Kevin Souls, Brendan Seals and Raphael A. Pimentel had explained the work of Luma Pictures on BLACK PANTHER. Brendan and Raphael then worked on A WRINKLE IN TIME. They talk to us today about their work on the new Marvel movie, ANT-MAN AND THE WASP.
Earlier this year, Craig Hammack told us about the work of ILM on BLACK PANTHER. He talks to us today about his work and the challenges on SKYSCRAPER.
Oliver Schulz began his career in visual effects in 2011 at RISE. He has worked on many films such as CLOUD ATLAS, THE MAN FROM U.N.C.L.E., DOCTOR STRANGE and BLACK PANTHER.
In 2013, Matthew Butler told us about Digital Domain's work on ENDER'S GAME. He then worked on PIXELS. He talks to us today about his first collaboration with director Steven Spielberg for READY PLAYER ONE. Few months ago, Scott Meadows, explained to us the work of pre-visualization of Digital Domain on BLACK PANTHER.
Shaun Roth has been working in visual effects for over 15 years. Before joining ILM in 2020, he worked at Zoic Studios and DNEG....
In 2015, Vincent Papaix told us about the work of Digital Domain on Lost River. He then worked on Furious 7 and Deadpool and...
Back in 2020, David Seager explained ILM's work on Terminator: Dark Fate. He then worked on We Can Be Heroes. Today he tells us...