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THE EXPENDABLES 2: Ajoy Mani – VFX Supervisor – Worldwide FX

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Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.

TOTAL RECALL: Aleksandar Pejic – VFX Supervisor – Prime Focus

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Aleksandar Pejic has worked for many years at Double Negative and particularly on films such as BATMAN BEGINS, CHILDREN OF MEN, THE DARK KNIGHT or INCEPTION. He then joined Prime Focus and supervises the effects of TOTAL RECALL.

Cruella: Max Wood – Overall VFX Supervisor – MPC

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Back in 2018, Max Wood explained in detail the visual effects work on The Nutcracker and the Four Realms. Today he returns to tell...

Enola Holmes 2: Michael Ellis – Production VFX Supervisor

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In 2010, Michael Ellis explained the work made by DNEG on Prince of Persia. Then he worked on many shows such as The Bourne...

Uncharted: Sebastian Von Overheidt – VFX Supervisor – DNEG

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Before joining the DNEG team in 2011 for Captain America: The First Avenger, Sebastian von Overheidt worked in many studios like Trixter and Pixomondo....

TOGO: Raymond Chen – VFX Supervisor – DNEG

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Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.

CAPTAIN MARVEL: Nick Crew – VFX Supervisor – Scanline VFX

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Last year, Nick Crew explained the work of Scanline VFX on TOMB RAIDER. He then worked on THE MEG.

THOR – RAGNAROK: Chad Wiebe – VFX Supervisor – Industrial Light...

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In 2016, Chad Wiebe explained the work of Method Studios on DOCTOR STRANGE. He then joins Industrial Light & Magic and returns to the Thor universe for THOR: RAGNAROK.

BLADE RUNNER 2049: Olivier Cauwet & Jeremy Robert – VFX Supervisors...

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In 2012, Olivier Cauwet explained the work of BUF on TOTAL RECALL. He then took care of many projects such as COSMOS: A SPACETIME ODYSSEY, INDEPENDENCE DAY: RESURGENCE, AMERICAN GODS or TWIN PEAKS. Jeremy Robert began his VFX career at BUF in 2007. As a VFX supervisor, he was responsible for the visual effects of films such as POLTERGEIST, RACE, X-MEN: APOCALYPSE or AMERICAN GODS.

OKJA: Erik-Jan de Boer – VFX Supervisor – Method Studios

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Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.