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ALITA – BATTLE ANGEL: Raymond Chen – VFX Supervisor – DNEG

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In 2012, Raymond Chen explained the work of Rhythm & Hues on CHRONICLE. He then worked on WINTER'S TALE and then INTO THE STORM. In 2016, he joined DNEG and took care of the effects of films like STAR TREK BEYOND and THE MEG.

MORTAL ENGINES: Ken McGaugh, Kevin Smith, Luke Millar (VFX Supervisors) and...

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The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.

TOMB RAIDER: Glenn Melenhorst – VFX Supervisor – Method Studios

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At the beginning of the year, Glenn Melenhorst talked to us about his work on JUMANJI - WELCOME TO THE JUNGLE. He is back to show us his work on TOMB RAIDER.

ALIEN – COVENANT: Charley Henley – Production VFX Supervisor – MPC

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In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Jelmer Boskma – VFX Supervisor...

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Jelmer Boskma worked in many studios such as Frantic Films, Image Engine or MPC before joining Scanline VFX in 2015. His filmography includes films like WATCHMEN, DISTRICT 9, SIN CITY: A DAME TO KILL FOR or BATMAN V SUPERMAN: DAWN OF JUSTICE.

CAPTAIN AMERICA – CIVIL WAR: Dan Deleeuw – Overall VFX Supervisor

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Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.

SPECTRE: Mark Curtis – VFX Supervisor – MPC

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Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.

EDGE OF TOMORROW: Jonathan Fawkner – VFX Supervisor – Framestore

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In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.

STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo

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Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.

DREDD: Jon Thum – VFX Supervisor – Prime Focus World

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Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.