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The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...
In 2014, Richard Bluff explained to us about the work of ILM on LUCY. He then worked on UNBROKEN, AGENT CARTER and THE BIG SHORT. He's now back in the Marvel universe with DOCTOR STRANGE.
Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.
Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.
Maciej Jackiewicz and the team of Platige Image had talked about THE WITCHER 2. He is back on The Art of VFX to explain his work on the CYBERPUNK 2077 teaser.
Mark Breakspear has worked for over 20 years in visual effects for studios such as Digital Muse, Rainmaker or CIS Vancouver. He participated in many TV series like STAR TREK VOYAGER or STARGATE ATLANTIS as well as films like THE DA VINCI CODE, LIVE FREE OR DIE HARD, SALT or THE GREEN HORNET.
Matt Aitken joined Weta Digital just after its creation in 1994. He participated in all major projects of the studio as THE FRIGHTENERS, the LORD OF THE RINGS trilogy, I ROBOT, KING KONG or AVATAR. He won two VES Awards for KING KONG and THE LORD OF THE RINGS: THE TWO TOWERS. In the following interview, he talks about his work on THE ADVENTURES OF TINTIN.
Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.
Ajoy Mani began his career at Available Light Ltd where he worked on projects such as BLUES BROTHERS 2000 or MY FAVORITE MARTIAN. In 2007 he joined the teams of Worldwide FX to work on RIGHTEOUS KILL as VFX supervisor. Since then he oversaw the effects of films like THE MECHANIC or DRIVE ANGRY. In the following interview, he talks about his work on CONAN THE BARBARIAN.
Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.