Fuel VFX - résultats de la recherche

Last year Dan Charbit told us about DNEG's work on the second season of Altered Carbon. Today, he tells us about the new adaptation...

Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

Ciaran Crowley began his career in the visual effects more than 20 years ago at DNEG. He joined Milk Visual Effects in 2018. His filmography includes many films such as THE DARK KNIGHT, INCEPTION, THE ASH LAD: IN THE HALL OF THE MOUNTAIN KING, THE PROFESSOR AND THE MADMAN.

IN 2018, Craig Wentworth told us about the work of Method Studios on AQUAMAN. Now he's talking about EXTRACTION. During his last visit here, Dan Bethell had detailed the work of Method Studios on OUTLAW KING.

In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.

Olaf Wendt has more than 15 years of experience in visual effects. He has worked on many projects such as TRUE DETECTIVE, BLACK SAILS, GAME OF THRONES and MOLLY'S GAME.

Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.

Last year, Mike Brazelton explained the work of DNEG on DEADPOOL 2. In 2017, Stuart Lashley told us about DNEG's work on THOR: RAGNAROK. He then worked on BLACK PANTHER.

In 2017, Theo Bialek had explained to us the work of Sony Pictures Imageworks on SPIDER-MAN: HOMECOMING. He then worked on LOVE, DEATH & ROBOTS. He talks to us today about his work on SPIDER-MAN: FAR FROM HOME.

In 2010, Holger Voss explained the work of Cinesite on HARRY POTTER AND THE DEATHLY HALLOW PART 1. He then worked on many films like JOHN CARTER, ROBOCOP and EDGE OF TOMORROW. As a VFX supervisor, he took care of the effects of films such as X-MEN: DAYS OF FUTURE PAST, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.