Edge of Tomorrow - résultats de la recherche

Here is the recap of my interviews of the week #36. So you won't miss any of them. SIN CITY - A DAME TO KILL...

Before joining Weta Digital in 2001, Dave Houghton worked at Cinesite in London on films such as TOMORROW NEVER DIES or LARA CROFT: TOMB RAIDER. At Weta Digital, he worked on the LORD OF THE RINGS trilogy, KING KONG, AVATAR or MAN OF STEEL.

EDGE OF TOMORROW: Matt Kasmir – VFX Supervisor – Nvizible Matt Kasmir began his career in the VFX in 1988 at The Computer Film Company....

In 2010, Holger Voss explained the work of Cinesite on HARRY POTTER AND THE DEATHLY HALLOW PART 1. He then worked on many films like JOHN CARTER, ROBOCOP and EDGE OF TOMORROW. As a VFX supervisor, he took care of the effects of films such as X-MEN: DAYS OF FUTURE PAST, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD. Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.

Stephane Paris explained the work of Cinesite on PIRATES OF THE CARIBBEAN: ON STRANGER TIDES in 2011. He then joins MPC to work on MAN OF STEEL, THE AMAZING SPIDER-MAN 2, EDGE OF TOMORROW, GUARDIANS OF THE GALAXY and INTO THE STORM. In 2014, he returned to Cinesite to oversee the effects of THE LAST WITCH HUNTER.

Christian Kaestner began his career in visual effects in 2006 at The Orphanage and then joined the Framestore teams in 2007. He has worked on numerous projects such as AVATAR, GRAVITY, EDGE OF TOMORROW and PADDINGTON. With more than 16 years experience at Framestore, Stuart Penn has worked on many projects such as THE GOLDEN COMPASS, AVATAR, GRAVITY and GUARDIANS OF THE GALAXY.

Margaux Durand-Rival explained to us the work of The Third Floor on EDGE OF TOMORROW in 2014. She then worked on numerous projects such as DRACULA UNTOLD, PADDINGTON, EXODUS: GODS AND KINGS and MISSION IMPOSSIBLE: ROGUE NATION.

Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.