A Quiet Place - résultats de la recherche

Last year, Jonathan Weber explained the work of RISE on the third season of Westworld. Then he worked on WandaVision and Reminiscence. Today he...

In 2017, Adam Gascoyne explained the work of Union VFX on T2 - TRAINSPOTTING. He then took care of the effects of films like MY COUSIN RACHEL, VICTORIA & ABDUL, GHOST STORIES, THE MERCY and the TV series TRUST.

In 2013, Martin Hill explained to us the work of Weta Digital on THE WOLVERINE. He then worked on FURIOUS SEVEN, THE HUNGER GAMES: MOCKINGJAY - PART 2, CENTRAL INTELLIGENCE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and ANIMAL WORLD.

Hugues Namur is working in visual effects for more than 20 years. He is VFX Supervisor at Mikros Image since 2002 and has taken care of the visual effects of films such as ASTERIX AT THE OLYMPIC GAMES, PARIS 36, THE BURMA CONSPIRACY and CHOCOLAT.

In 2013, Cedric Fayolle explained to us in detail about the work of Mikros Image on 9 MONTH STRETCH. He then worked on many projects such as DHEEPAN. Today, he talks to us about his work on the new film by director Albert Dupontel.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Tim Crosbie began his career in the VFX more than 15 years ago and has worked on movies such as WHAT DREAMS MAY COME, THE MATRIX or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Tim is a part of the Rising Sun Pictures team for over ten years and supervised the effects of films like THE LAST SAMURAI, SUPERMAN RETURNS, PROMETHEUS or THE GREAT GATSBY.