shadow - résultats de la recherche

Olivier Cauwet is back on The Art of VFX. After explaining the challenges for SUR LA PISTE DU MARSUPILAMI, Olivier explains his work on the remake of TOTAL RECALL.

Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.

Richard Higham worked at The Senate for many years. He has participated in projects like BATMAN BEGINS, THE DA VINCI CODE or STARDUST. As VFX supervisor, he take care of the effects for films like KICK-ASS, PRIEST or DARK SHADOWS.

Benoît Pelchat has over 12 years experience in the VFX, he has worked at Animal Logic, Industrial Light et Magic or The Orphanage. He has participated in projects such as STAR WARS EPISODE III, IRON MAN, PIRATES OF THE CARIBBEAN: AT WORLD'S END or THE SPIRIT.

Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.

Since his last appearance on The Art of VFX for GAME OF THRONES, Angela Barson worked on films like SHERLOCK HOLMES: A GAME OF SHADOWS and THE IRON LADY and also on the TV series GREAT EXPECTATIONS. She talks here about the many challenges for SNOW WHITE AND THE HUNTSMAN.

Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.

Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.

Since its last interview on The Art of VFX, Jonathan Fawkner oversaw the effects of THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER and CAPTAIN AMERICA: THE FIRST AVENGER. He explains now the many challenges on WRATH OF THE TITANS at Framestore.

From 8 to 11th Mai took place the FMX 2012 with an impressive selection of high quality conferences. This was an great opportunity to meet many artists interviewed here and also make beautiful meetings. A big thanks to the FMX staffs!