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Here are the nominations for the 13th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture DAWN OF...

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

Merzin Tavaria co-founded Prime Focus World in 1995. He began his career as an editor. He then became VFX Supervisor and now holds the position of Chief Creative Officer at Prime Focus World.

During his last visit, in 2011, Stephane Ceretti talked to us in details about his work on CAPTAIN AMERICA: THE FIRST AVENGER. He then worked on CLOUD ATLAS and THOR: THE DARK WORLD.

Francois Dumoulin is in the VFX industry for more than 16 years. He is one of the founders of Parisian studio La Maison where he worked on films like THE MAN WITHOUT A HEAD, DEMONLOVER, LES ENFANTS DE TIMPELBACH or UPSIDE DOWN. He joined Rodeo FX in 2012 and worked on projects such as NOW YOU SEE ME, THE HUNGER GAMES: CATCHING FIRE or PACIFIC RIM.

Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

Benoit Dubuc began his career in 2001. He has worked at several studios such as CORE Feature Animation, Buzz Image and Framestore. He joined MPC several years ago and participated on films like THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, WRATH OF THE TITANS or X-MEN FIRST CLASS.

In 2010, Richard Stammers had explained to us the work of MPC on ROBIN HOOD, he then oversaw the effects of PROMETHEUS and THE COUNSELOR. Today he explains his work on his first superhero movie.

Jim Rygiel began his career in VFX in 1980 at Pacific Electric Pictures. Then he joined Boss Film Studios and worked on numerous films such as THE LAST STARFIGHTER, ALIEN 3, BATMAN RETURNS or STARSHIP TROOPERS. Lately, he took care of the effects for THE AMAZING SPIDER-MAN. He has won three Oscars for Best Visual Effects, one for each film of the LORD OF THE RINGS trilogy.