no way home - résultats de la recherche

Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche

AFTERSHOCK (TANGSHAN DADIZHEN): Phil Jones – VFX Supervisor – Technicolor Beijing

0
Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.

GREEN LANTERN: Raffael Dickreuter – Previs Artist – Pixel Liberation Front

1
After studying at the School of Art and Design of Zurich, Raffael Dickreuter joined the team of Pixel Liberation Front. He worked in many projects such as SUPERMAN RETURNS, TERMINATOR SALVATION, IRON MAN 2 or AVATAR. In 2002, he founded the reference site XSI Base.

ASSASSIN’S CREED REVELATIONS – Digic Pictures

9
Digic Pictures became known by working on the effects of TERMINATOR 3: RISE OF THE MACHINES. They then conducted numerous cinematic games like ARMIES OF EXIGO, WARHAMMER or DRAGON AGE 2. And of course, the impressive cinematics for the last three ASSASSIN'S CREED. In the following interview, the team Digic Pictures tell us about his work on ASSASSIN'S CREED REVELATIONS.

THOR: Eric Fernandes – CG Supervisor – Digital Domain

0
Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.

THE PREY: François Ferracci – VFX Supervisor & Co-founder – Pik.sel

1
François Ferracci has worked for 10 years as a graphic designer and has created many film credits as FROM PARIS WITH LOVE or Sheitan. He founded Pik.sel with David Goldenberg.

THOR: Vincent Cirelli – VFX Supervisor – Luma Pictures

1
Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

SOURCE CODE: Yanick Wilisky – VFX Supervisor VFX & Co-founder –...

0
Yanick Wilisky worked nearly 10 years at Hybride where he participate in projects like SPY KIDS, 300 or SIN CITY. In 2007, he founded with Marc Bourbonnais, Modus FX. He supervised the effects of films as MR. NOBODY, BARNEY'S VERSION or THE AMERICAN.

RED RIDING HOOD: Derek Spears – VFX Supervisor – Rhythm &...

0
Derek Spears begins his career in 1994, the movie LITTLE NICKY marks his debut as VFX Supervisor at Rhythm & Hues, since then he has oversees the effects of films such as THE SUM OF ALL FEARS, DAREDEVIL, SUPERMAN RETURNS, or THE MUMMY 3. In the following interview, he discusses his work on RED RIDING HOOD.

I AM NUMBER FOUR: Mat Beck – VFX Supervisor – Entity...

0
Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.

PAUL: Anders Beer – Animation Supervisor – Double Negative

0
Anders Beer began his animator career in 1996 at Dreamworks SKG, he then worked in many studios like Banned from the Ranch, Digital Domain and Sony Imageworks. He has participated on movies such as SPAWN, LAKE PLACID, OPEN SEASON or REIGN OF FIRE. At Double Negative, he supervised the animation of the Tooth Fairies sequence on HELLBOY 2.