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X-MEN FIRST CLASS: Vincent Cirelli – VFX Supervisor – Luma Pictures

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Vincent Cirelli and his brilliant team at Luma Pictures are back on The Art of VFX. After given life to the impressive Destroyer on THOR, Vincent discusses his work on the super-heroes of X-MEN FIRST CLASS.

RED RIDING HOOD: Derek Spears – VFX Supervisor – Rhythm &...

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Derek Spears begins his career in 1994, the movie LITTLE NICKY marks his debut as VFX Supervisor at Rhythm & Hues, since then he has oversees the effects of films such as THE SUM OF ALL FEARS, DAREDEVIL, SUPERMAN RETURNS, or THE MUMMY 3. In the following interview, he discusses his work on RED RIDING HOOD.

SUCKER PUNCH: Bryan Hirota – VFX Supervisor – Prime Focus

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Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.

BATTLE LOS ANGELES: Ben Shepherd – VFX Supervisor – Cinesite

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Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

THE EXPENDABLES: Wes Caefer – VFX Supervisor – Worldwide FX

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Wes Caefer is a self-taught artist. He oversaw several projects at Worldwide FX. THE EXPENDABLES is the second collaboration between Wes and Sylvester Stallone with RAMBO.

THE SORCERER’S APPRENTICE: Adrian de Wet – VFX Supervisor – Double...

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After several years at London Computer Film Company, Adrian de Wet goes to California at ESC Entertainment to work on THE MATRIX RELOADED. Back in London, he worked for many studios such as Framestore, MPC and Double Negative, that he joined in 2007.

ROBIN HOOD: Richard Stammers – VFX Supervisor – The Moving Picture...

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After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.