troll - résultats de la recherche

In 2010, Sue Rowe had told us about his work on PRINCE OF PERSIA. She then moved on the most ambitious project to date at Cinesite: JOHN CARTER. In the following interview, Sue presents in detail her work of more than two years on this film.

After speaking with us about the effects of SHERLOCK HOLMES: A GAME OF SHADOWS, Sirio Quintavalle is back to reveal the invisible effects of Framestore for the spy movie TINKER TAYLOR SOLDIER SPY.

After speaking with us about the effects for IMMORTALS, Simon Hughes returns to The Art of VFX. In the following interview, he talks of the many invisible effects for SAFE HOUSE.

Sirio Quintavalle started as a trainee at Framestore almost 15 years ago. He has worked on films like LOST IN SPACE, THE GOLDEN COMPASS, THE DARK KNIGHT or CLASH OF THE TITANS. In the following interview, he talks about his work on SHERLOCK HOLMES: A GAME OF SHADOWS.

Dmitry Tokoyakov began his career as a compositor and rose through the ranks to become VFX Supervisor. He worked many years at Bazelevs and oversaw the effects of movies like WANTED or APOLLO 18. In the following interview, Dmitry talks about his work on THE DARKEST HOUR.

Otto Thorbjørnsen joined Storm Studios in 2005. He worked on films like DEAD SNOW and THE TROLL HUNTER. In the following interview, he talks about his work as a VFX supervisor on the film KING OF DEVIL'S ISLAND.

Simon Hughes began his career in visual effects in 1997 at Cinesite. For over 10 years, he worked in various studios like Double Negative, Rainmaker UK or Clear and on movies like KINGDOM OF HEAVEN, UNITED 93 or SLUMDOG MILLIONAIRE. In 2009, he joined the teams of Image Engine to work on DISTRICT 9. He subsequently oversaw the effects of film LAW ABIDING CITIZEN, THE LOSERS or THE FACTORY. In the following interview, he talks (with Gustavo Yamin, Jordan Benwick and Janeen Elliott) of his work on IMMORTALS.

Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.

Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.

Petar Jovovic founded with several artists and friends, Crater Studio in 2005. He has since worked on films like TEARS FOR SALE, THE READER or THE OTHER GUYS. In the following interview, he talks about his work on SHARK NIGHT 3D.