Thor - résultats de la recherche

Last year, Paul Butterworth talked to us about his work on THOR. This time he explains the wonderful work of Fuel VFX on the film that marks the return to the SF of Ridley Scott, PROMETHEUS.

Simon Maddison is back on The Art of VFX. After he discuss the effects of Fuel VFX on COWBOYS & ALIENS, now he explains his work on THE AVENGERS.

Luma Pictures is back on The Art of VFX to tell us about their participation on THE AVENGERS. Vincent Cirelli and his team explain in detail their work on this show.

Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.

Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.

Since its last interview on The Art of VFX, Jonathan Fawkner oversaw the effects of THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER and CAPTAIN AMERICA: THE FIRST AVENGER. He explains now the many challenges on WRATH OF THE TITANS at Framestore.

Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.

From 8 to 11th Mai took place the FMX 2012 with an impressive selection of high quality conferences. This was an great opportunity to meet many artists interviewed here and also make beautiful meetings. A big thanks to the FMX staffs!

After speaking with us about the effects of SHERLOCK HOLMES: A GAME OF SHADOWS, Sirio Quintavalle is back to reveal the invisible effects of Framestore for the spy movie TINKER TAYLOR SOLDIER SPY.

Kaj Steveman worked for over 30 years in the movie business. He started as a SFX makeup. There is 11 years old, he founded the studio Fido. Kaj has since overseen the effects of many films including FROSTBITTEN, LET THE RIGHT ONE IN or HOTELL GYLLENE KNORREN - FILMEN. In the following interview, he discusses his work on UNDERWORLD: AWAKENING.