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Michael Maher has been working for over 10 years as a graphic designer and concept artist on shows like Real Steel, Argo and Cosmos:...

Back in 2018, Will Reichelt explained in detail Animal Logic's work on Peter Rabbit. He's back today to tell us about the film's sequel. Simon...

Back in 2018, Scott Farrar explained ILM's work on A Quiet Place. He's back today to tell us about the sequel to that film. Jason...

IN 2016, Sven Martin told us about the work of Pixomondo on Game of Thrones. He then worked on many shows such as Carnival...

Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.

In 2017, Dominik Zimmerle explained the work of Trixter on SPIDER-MAN: HOMECOMING. He then worked on LOST IN SPACE before returning to the MCU with CAPTAIN MARVEL.

Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.