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Interviews of the Week #42

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Here is the recap of my interviews of the week #42. So you won't miss any of them. THE WALK: Kevin Baillie - Overall VFX...

Interview and Book Review of the Week #30

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TRANSFORMERS – AGE OF EXTINCTION: Scott Farrar – VFX Supervisor – ILM Since his last visit, Scott Farrar has worked on the visual effects of...

Interviews of the Week #28

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TRANSFORMERS – AGE OF EXTINCTION: Rick O'Connor – Co-Animation Supervisor – ILM Rick O'Connor began his career in the visual effects at ILM more...

EDGE OF TOMORROW: Richard Baker – Senior Stereo Supervisor – Prime...

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Richard Baker began his career in visual effects as compositing artist. He worked on projects like THE HITCHHIKER'S GUIDE TO THE GALAXY, SUNSHINE, ANGELS & DEMONS or CLASH OF THE TITANS. He then got interested in the stereoscopy and joined Prime Focus World. There he take care of movies like FRANKENWEENIE, WORLD WAR Z or GRAVITY.

THE IRISHMAN: Pablo Helman (Overall VFX Supervisor), Leandro Estebecoena, Nelson Sepulveda,...

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In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

SOLO – A STAR WARS STORY: Rob Bredow (Overall Visual Effects...

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Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

A QUIET PLACE: Scott Farrar (VFX Supervisor) & Rick O’Connor (Animation...

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In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.

STAR TREK BEYOND: Seth Hill – Environment Supervisor – Atomic Fiction

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Seth Hill joined Atomic Fiction in 2013 as a matte painter. He has worked on films such as TRANSFORMERS: AGE OF EXTINCTION, GAME OF THRONES or THE WALK. He became Environment Supervisor on DEADPOOL.

WARCRAFT: Jeff White – VFX Supervisor – Industrial Light & Magic

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Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.

THE WALK: Kevin Baillie – Overall VFX Supervisor – Atomic Fiction

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During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.