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Leave the World Behind: Chris Harvey – Production VFX Supervisor
Back in 2015, Chris Harvey explained the visual effects work made by Image Engine for Child 44. Subsequently joining Oats Studios, he assumed the...
True Detective – Night Country: Barney Curnow – Production VFX Supervisor
Barney Curnow's visual effects journey began in 1993 in New Zealand. He then worked at MPC and Atomic Arts. With years of experience under...
Nyad: Jake Braver – Production VFX Supervisor & Second Unit Director
At the beginning of 2023, Jake Braver explained the visual effects work on The Pale Blue Eye. Now he's back with a new Netflix...
The Killer: Wei Zheng (VFX Supervisor – Artemple Hollywood), Yabin Morales...
Wei Zheng began his career in visual effects in 1998 at ILM. He then worked at Digital Domain and joined Artemple Hollywood in 2012....
Invasion – Season 2: Thrain Shadbolt (VFX Supervisor) and Paul Ramsden...
Back in 2020, Thrain Shadbolt explained to us about the visual effects work done by Weta FX on The Christmas Chronicles 2. He then...
Killers of the Flower Moon: Pablo Helman – Production VFX Supervisor...
In 2019, Pablo Helman explained the visual effects work made by ILM on The Irishman. He went on to work on Mank, Obi-Wan Kenobi...
Invasion – Season 2: Erik Henry – Production VFX Supervisor
Erik Henry has been working in visual effects for almost 38 years and began his career at Dream Quest Images. He has worked on...
The Flash: John ‘D.J.’ DesJardin – Production VFX Supervisor
In 2021, John 'D.J.' DesJardin explained the visual effects work on Godzilla vs. Kong. He then returned to the DCU to work on The...
The Nun II: Interview with MPC and BUF teams
The MPC Paris teams worked on over 70 VFX shots over a period of 7 months. Here are the experiences shared by Laurent Creusot...
The Last Voyage of the Demeter: Andreas Giesen – VFX Supervisor...
In 2022, Andreas Giesen explained to us the visual effects work created by RISE on The Matrix Resurrections. He talks to us today about...