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Poor Things: Simon Hughes (Production VFX Supervisor) & Tallulah Baker (VFX...

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Back in 2012, Simon Hughes told us about Image Engine's visual effects work on Safe House. He then joined the Union VFX team. He...

Oppenheimer: Andrew Jackson (Production VFX Supervisor) and Giacomo Mineo (DNEG VFX...

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In 2017, Andrew Jackson told us about the visual effects work on Dunkirk. He then worked on The King and reunited with Christopher Nolan...

Transformers – Rise of the Beasts: Gary Brozenich – Production VFX...

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In 2017, Gary Brozenich told us about the visual effects work for Pirates of the Caribbean: Dead Men Tell No Tales. He then took...

The Batman: Anders Langlands (VFX Supervisor), Beck Veitch (Compositing Supervisor) and...

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In 2011, Anders Langlands explained the work of MPC on Pirates of the Caribbean: On Stranger Tides. He went on to work on films...

Home Sweet Home Alone: Martin Lipmann – Production VFX Supervisor

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In 2014, Martin Lipmann told us about Vision Globale (now MELS) work for Brick Mansions. He then joined the Rodeo FX teams in 2015...

Greyhound: Nathan McGuinness (Overall VFX Supervisor) & Pete Bebb (DNEG VFX...

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Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

BUMBLEBEE: Jason Smith – Overall VFX Supervisor – Industrial Light &...

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Jason Smith began his visual effects career in 2013 at Industrial Light & Magic. He has worked on many movies such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, TRANSFORMERS and RANGO. As Associate VFX Supervisor and VFX Supervisor, he took care of the effects of films like THE AVENGERS, WARCRAFT, KONG: SKULL ISLAND and TRANSFORMERS: THE LAST KNIGHT.

Digital Domain – 25th Anniversary

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Let's start 2019 with this beautiful compilation of VFX work made by Digital Domain since 25 years! The reel is featuring their work on: TRUE LIES INTERVIEW...

SOLO – A STAR WARS STORY: Joseph Kasparian & François Lambert...

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In 2017, Joseph Kasparian had explained to us the work of Hybride on ROGUE ONE: A STAR WARS STORY. He then worked on ASSASSIN'S CREED, VALERIAN AND THE CITY OF A THOUSAND PLANETS, MOTHER! and STAR WARS: THE LAST JEDI. François Lambert began his career in the visual effects in 1994 at Hybride. He joined Industrial Light & Magic in 2003 and then returned to Hybride in 2017. He worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, STAR TREK, PACIFIC RIM and STAR WARS: THE LAST JEDI.

SOLO – A STAR WARS STORY: Rob Bredow (Overall Visual Effects...

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Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.