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Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.

In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.

Peter Chiang started working in visual effects at the opticals period on projects such as HIGHLANDER, LABYRINTH, or BATMAN. In 1998 he is one of the founders of Double Negative. He has since overseen an impressive number of projects such as PITCH BLACK, ENEMY AT THE GATES, THE CHRONICLES OF RIDDICK, THE BOURNE ULTIMATUM or GREEN ZONE. In the following interview, he discusses his work on JOHN CARTER.

After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.

Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials...

Eric Barba began his visual effects career more than 27 years ago. After working for nearly 20 years at Digital Domain, he joined ILM in 2016. He took care of the effects of films such as ZODIAC, TRON: LEGACY, OBLIVION and ONLY THE BRAVE. He won an Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON.

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

In 2017, Tom Proctor explained the work of DNEG on A CURE FOR WELLNESS. He then worked on JUSTICE LEAGUE. He talks to us today about his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, his first participation on a film from the Harry Potter universe.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.