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PACIFIC RIM: UPRISING
Brand new featurette for PACIFIC RIM - UPRISING:
The VFX are made by:
Double Negative (VFX Supervisor: Pete Bebb & VFX Producer: Matthew Plummer)
Atomic Fiction (VFX...
Fast X: Francois Lambert, Aleks Pejic and Michael Grobe – VFX...
In 2018, François Lambert explained to us the work of Hybride made on Solo: A Star Wars Story. He then worked on many projects...
Shazam – Fury of the Gods: Raymond Chen (Production VFX Supervisor),...
In 2020, Raymond Chen explained the visual effects work made by DNEG on Togo. He then worked on Ghostbusters: Afterlife.
Russell Bowen started his career...
The Matrix Resurrections: Huw Evans (VFX Supervisor) with Benjamin Cowell-Thomas (Environment...
Back in 2018, Huw Evans explained the work done by the teams of DNEG on Mission: Impossible - Fallout. He then went on to...
Zack Snyder’s Justice League: Mike Stillwell – VFX Supervisor – DNEG
Mike Stillwell has been working in visual effects for 15 years. He joined DNEG in 2010 and he has worked on many shows such...
THE CROWN – Season 4: Andrew Scrase (VFX Supervisor) & Standish...
Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN.
Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.
THE DARK CRYSTAL – AGE OF RESISTANCE: Peter Eszenyi – VFX...
In 2018, Peter Eszenyi explained the work of Territory Studio on PACIFIC RIM: UPRISING. He then worked on JOHNNY ENGLISH STRIKES AGAIN and BLACK MIRROR. He talks to us today about his work on the prologue of THE DARK CRYSTAL series.
MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX
In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.
AD ASTRA: Jedediah Smith – VFX Supervisor – Method Studios
In 2018, Jedediah Smith explained the work of Method Studios on PACIFIC RIM: UPRISING. He then worked on THE OA and talks today about AD ASTRA.
TRIPLE FRONTIER: Chris Keller – VFX Supervisor – DNEG
Chris Keller started his career in visual effects in 2010 at DNEG. He has worked on films such as TOTAL RECALL, MAN OF STEEL, AVENGERS: AGE OF ULTRON and PACIFIC RIM: UPRISING. As a VFX Supervisor, he took care of the effects of films like ANT-MAN AND THE WASP and HOLMES & WATSON.