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HOW THE STARS ALIGHT: VFX Breakdown by Main Road Post

Main Road Post have released this VFX Breakdown about their work on HOW THE STARS ALIGHT: © Vincent Frei – The Art of VFX –...

GHOST: VFX Breakdown by Main Road Post

Really nice making of by Main Road Post about their VFX work on GHOST: © Vincent Frei – The Art of VFX – 2015

LEONOV: Teaser by Main Road Post

Excellent teaser for LEONOV directed by Yuriy Bykov with the VFX made by Main Road Post: © Vincent Frei – The Art of VFX –...

STALINGRAD: VFX reel by Main Road|Post

Here is the beautiful and long VFX reel of STALINGRAD by Russian studio Main Road|Post: © Vincent Frei – The Art of VFX – 2013

The Last Duel: Kristina Prilukova (VFX Producer), Romain Bavent (Compositing Supervisor),...

From August 2020 to April 2021, the Parisian teams of MPC Film & Episodic (formerly Mikros VFX) crafted 230 shots on Ridley Scott's latest...

Free Guy: Scott Edelstein – DFX Supervisor – Digital Domain

Back in 2019, Scott Edelstein explained Digital Domain's work on Avengers: Endgame. Today he returns to tell us about Free Guy. How did you and...

SHADOW: Nikos Kalaitzidis – VFX Supervisor – Digital Domain

A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.

BLACK PANTHER: Scott Meadows – Previsualization Supervisor – Digital Domain

Scott Meadows is working in visual effects for more than 20 years. In 2008, he joined Digital Domain to take the lead of the previsualization department. He works on many projects such as TRON: LEGACY, X: FIRST CLASS, ENDER'S GAME and BEAUTY AND THE BEAST.

THE FATE OF THE FURIOUS: Jay Barton (VFX Supervisor) & Nikos...

In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.