interstellar - résultats de la recherche

Great news! Netflix have announced yesterday their plans to acquire the visual effects studio, Scanline VFX! Here is the press release: Bringing More VFX Magic to...

Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

In 2019, Chris MacLean had explained to us the visual effects work done by Mr. X on The Highwaymen. He then worked on Hellboy...

Back in 2020, Wayne England told us about the work of FuseFX on the series, Utopia. Today he talks about his work on the...

Raphael Hamm has been working in visual effects for almost 20 years. He has worked in many studios such as Scanline VFX and Trixter...

Richard Greenwood has been working in visual effects for over 11 years. He joined FuseFX in 2014 to help launch the Vancouver office. He...

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

Steve Murgatroyd began his career in visual effects more than 23 years ago. He has worked on many films including GLADIATOR, BLACK HAWK DOWN, DIE ANOTHER DAY and THE ALIENIST.

Dan Smiczek began his visual effects career in 2011 at Rhythm & Hues. After working in various studios, he joined Pixomondo in 2018. He has worked on a many shows including STAR TREK: DISCOVERY, MIDWAY and THE MANDALORIAN.

Oliver Atherton began his career in visual effects in 2002 at DNEG. He works on many films like KICK ASS, MAN OF STEEL, INTERSTELLAR and HOSTILES.