his dark materials - search results
If you're not happy with the results, please do another search
Sean Mathiesen has been working for nearly 30 years in visual effects and animation. He has worked in many studios including Weta Digital, Rising Sun Pictures, MPC and joined DNEG in 2016. He has worked on many projects such as the LORD OF THE RINGS trilogy, TERMINATOR SALVATION, THE MUPPETS MOST WANTED and BLACK MIRROR.
Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.
Mitchell Drain began his career in 1985 as a roto artist at Robert Abel and Associates. Subsequently, he worked on the Flame and Inferno systems. He has participated in projects such as JUDGE DREDD, INDEPENDENCE DAY, BLACK HAWK DOWN or MINORITY REPORT. In 2004, he joined Asylum and became VFX Supervisor and will handle films like MASTER AND COMMANDER, NATIONAL TREASURE: BOOK OF SECRETS, THE UNBORN or G-FORCE. In the following interview, he talks about his work for THIS MEANS WAR.
The Framestore team composed of Andy Kind (VFX Supervisor), Chris Zeh (Compositing Supervisor) and Liam Russell (Animation Supervisor) tell us about their work on THE SECRET GARDEN.
The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...
Last year Oliver Atherton explained in detail the work of DNEG on THE KING. He is back today to take us into space and tell us about AWAY.
Michael Blackbourn began his career in visual effects in 2003 at Spin VFX, he then joined The Embassy in 2006. He has worked on many projects including IRON MAN, DISTRICT 9, ELYSIUM and CAPTAIN AMERICA: THE WINTER SOLDIER.
Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR...
Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON. In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.
What is your background? Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...