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MISSION IMPOSSIBLE – ROGUE NATION: Maricel Pagulayan – Production VFX Producer

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Maricel Pagulayan began her career in the visual effects on X2. She then worked on films such as SUPERMAN RETURNS, VALKYRIE, AVATAR or THE SMURFS movie.

EDGE OF TOMORROW: Jonathan Fawkner – VFX Supervisor – Framestore

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In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.

NOW YOU SEE ME: Ara Khanikian – VFX Supervisor – Rodeo...

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A few months ago, Ara Khanikian explained to us the work of Rodeo FX on JACK THE GIANT SLAYER. Today he talks about the magical effects for NOW YOU SEE ME.

IRON MAN 3: Bryan Grill – VFX Supervisor – Scanline VFX

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During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.

A GOOD DAY TO DIE HARD: Joe Farrell – VFX Supervisor...

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After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.

LIFE OF PI: Geoffrey Niquet – VFX Supervisor – BUF

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Geoffrey Niquet is back on The Art of VFX. He had explained his work on ENTER THE VOID. He speaks to us now about BUF work on LIFE OF PI.

SAVAGES: Paul & Christina Graff – VFX Supervisor & VFX Producer...

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Paul and Christina Graff are the founders of Crazy Horse Effects. Before that they worked on many projects at Digital Backlot such as THERE WILL BE BLOOD, THE AVIATOR or TROPIC THUNDER. In the following interview, they talk about their collaboration with director Oliver Stone.

MIRROR MIRROR: Martin Pelletier – VFX Supervisor – Modus FX

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Martin Pelletier began his career in the VFX almost 10 years ago. Before joining the teams of Modus FX, Martin worked at Hybride and Buzz Image Group and participated in projects like ETERNAL SUNSHINE OF THE SPOTLESS MIND, SIN CITY or 300. At Modus, he oversaw the CG for project such as SUPER or SOURCE CODE. In the following interview, he discusses his work on MIRROR MIRROR.

IMMORTALS: Danielle Plantec – VFX Supervisor – Scanline VFX

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Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.

HANNA: Brendan Taylor – VFX Supervisor – Mr. X

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Brendan Taylor began his career as on-set assistant for the series HELEN OF TROY. In 2004, he joined Mr. X and participates in projects such as 16 BLOCKS and SILENT HILL as VFX coordinator. Thereafter, it continues to be present on set for movies like SHOOT 'EM UP and WHITEOUT and VFX supervisor for LUST CAUTION or TAKING WOODSTOCK.