harry potter - résultats de la recherche

Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.

Kyle McCulloch is in visual effects for over 15 years. He worked in many studios such as Curious Pictures, The Orphanage or ILM. He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Mark Wilson began his career in the VFX in 1999 at Passion Pictures. Then he joined Framestore in 2006 and worked on films like AVATAR, LINCOLN or GRAVITY.

Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

Martin Lipmann began his career in visual effects more than 10 years ago as a Flame assistant. He has worked in many studios around the world and has participated on projects such as HARRY POTTER AND THE PRISONER OF AZKABAN, 300, SNAKES ON A PLANE or MR. NOBODY.

Before arriving at Cinesite in 2013, Richard Clarke has worked in many studios such as Industrial Light & Magic, CFC and Double Negative. He has participated in many films like STAR WARS: EPISODE II - ATTACK OF THE CLONES, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and many HARRY POTTER (like HARRY POTTER AND THE GOBLET OF FIRE or HARRY POTTER AND THE ORDER OF THE PHOENIX).

Christian Manz began his career in visual effects at Framestore in 1997 as a runner. He then made his way in the Compositing Department. He oversaw the effects of projects such as SPOOKS, PRIMEVAL, NANNY MCPHEE AND THE BIG BANG or HARRY POTTER AND THE DEATHLY HALLOWS: PART 1.

Peter Muyzers began his career in visual effects there are more than 15 years. Prior to joining Image Engine in 2006, he was working at MPC in London on the first 3 HARRY POTTER movies, KINGDOM OF HEAVEN or CORPSE BRIDE. At Image Engine, he has participated in projects such as DISTRICT 9, THE TWILIGHT SAGA: ECLIPSE and oversaw the effects of ELYSIUM.

Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.

Jessica Norman began her career in visual effects in 2001 at MPC. She has worked on projects such as LARA CROFT: TOMB RAIDER, ALIEN VS PREDATOR, CORPSE BRIDE, many HARRY POTTER or NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.