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Zack Snyder’s Justice League: Bryan Hirota & Julius Lechner – VFX...

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To kick off 2019, Bryan Hirota had explained in detail the work of Scanline VFX on Aquaman. He then worked on Gemini Man. Today...

18th Annual VES Awards: The Nominations

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The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...

OSCARS 2020: THE VFX Shortlist

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Here is the VFX Shortlist for the 92nd Academy Awards! 1917 ALITA: BATTLE ANGEL AVENGERS: ENDGAME CAPTAIN MARVEL CATS GEMINI MAN THE IRISHMAN THE LION KING STAR WARS: THE RISE OF SKYWALKER TERMINATOR: DARK...

Oscars 2020: The 20 contenders for Best VFX

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The VFX Race has just started with the announcement by The Academy of Motion Picture Arts and Sciences of the 20 contenders for Best...

AVENGERS – ENDGAME: Matt Aitken (VFX Supervisor), Sidney Kombo-Kintombo (Animation Supervisor)...

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In 2016, Matt Aitken explained the work of Weta Digital on INDEPENDENCE DAY: RESURGENCE. He then worked on AVENGERS: INFINITY WAR. He speaks to us today about his work on AVENGERS: ENDGAME with Sidney Kombo-Kintombo (Animation Supervisor) and Gerardo Aguilera (FX Supervisor).

THE BALLAD OF BUSTER SCRUGGS: Alex Lemke & Michael Huber –...

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Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.

BLADE RUNNER 2049: Karen Murphy – VFX Producer

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Karen Murphy began her career in the visual effects almost 25 years ago. She has produced the effects of many films such as TITANIC, WILD WILD WEST, HUGO and FURIOUS 7.

THE GREY: Christian Garcia – CG Supervisor – Digital Dimension

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Christian Garcia has worked on a various number of projects such as HEAVY METAL 2000, PINOCCHIO 3000 or the TV series CHARLIE JADE. Subsequently, he joined the teams of Digital Dimension where he will oversee the CG on films like RED CLIFF, THE PINK PANTHER 2 or THE SPIRIT. In the following interview, he talks about the CG wolves for THE GREY.