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Napoleon: Henry Badgett – VFX Supervisor – BlueBolt

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Henry Badgett began his career in visual effects at MPC in 2002. He joined the BlueBolt team in 2010. He has worked on a...

The Last Voyage of the Demeter: Andreas Giesen – VFX Supervisor...

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In 2022, Andreas Giesen explained to us the visual effects work created by RISE on The Matrix Resurrections. He talks to us today about...

Fast X: Francois Lambert, Aleks Pejic and Michael Grobe – VFX...

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In 2018, François Lambert explained to us the work of Hybride made on Solo: A Star Wars Story. He then worked on many projects...

Cocaine Bear: Robin Hollander – VFX Supervisor – Weta FX

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In 2014, Robin Hollander explained to us about the work of Weta FX on The Hobbit: The Desolation of Smaug. He then worked on...

The Last of Us: Stephen James (VFX Supervisor), Nick Marshall (DFX...

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In 2022, Stephen James explained the work made by DNEG on the film Bullet Train. He then went on to work on the HBO...

The Menu: Marc Smith (VFX Supervisor) and Tanner Bartlett (Compositing Supervisor)...

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Marc Smith started his career in visual effects 20 years ago at Framestore. He then worked in many studios like Digital Domain, Weta FX...

Alice in Borderland – Season 2: Doi Atsushi – Overall VFX...

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In 2021, Doi Atsushi explained the visual effects work for the Netflix series, Alice in Borderland. He is back today to tell us about...

My Policeman: VFX Breakdown by BlueBolt

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Let's go for a tour in 1950s Brighton with the teams of the London based studio BlueBolt revealing their invisible work on the film,...

House of the Dragon: Sven Martin – VFX Supervisor – Pixomondo

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In 2021, Sven Martin explained the visual effects work made by Pixomondo on Without Remorse. He then worked on Help, I Shrunk My Friends...

1899: Chris Nokes – VFX Supervisor – DNEG

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Chris Nokes is working in visual effects for almost 20 years. He has worked at various studios such as Intelligent Creatures and Rocket Science...