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Napoleon: Henry Badgett – VFX Supervisor – BlueBolt
Henry Badgett began his career in visual effects at MPC in 2002. He joined the BlueBolt team in 2010. He has worked on a...
The Last Voyage of the Demeter: Andreas Giesen – VFX Supervisor...
In 2022, Andreas Giesen explained to us the visual effects work created by RISE on The Matrix Resurrections. He talks to us today about...
Fast X: Francois Lambert, Aleks Pejic and Michael Grobe – VFX...
In 2018, François Lambert explained to us the work of Hybride made on Solo: A Star Wars Story. He then worked on many projects...
Cocaine Bear: Robin Hollander – VFX Supervisor – Weta FX
In 2014, Robin Hollander explained to us about the work of Weta FX on The Hobbit: The Desolation of Smaug. He then worked on...
The Last of Us: Stephen James (VFX Supervisor), Nick Marshall (DFX...
In 2022, Stephen James explained the work made by DNEG on the film Bullet Train. He then went on to work on the HBO...
The Menu: Marc Smith (VFX Supervisor) and Tanner Bartlett (Compositing Supervisor)...
Marc Smith started his career in visual effects 20 years ago at Framestore. He then worked in many studios like Digital Domain, Weta FX...
Alice in Borderland – Season 2: Doi Atsushi – Overall VFX...
In 2021, Doi Atsushi explained the visual effects work for the Netflix series, Alice in Borderland. He is back today to tell us about...
My Policeman: VFX Breakdown by BlueBolt
Let's go for a tour in 1950s Brighton with the teams of the London based studio BlueBolt revealing their invisible work on the film,...
House of the Dragon: Sven Martin – VFX Supervisor – Pixomondo
In 2021, Sven Martin explained the visual effects work made by Pixomondo on Without Remorse. He then worked on Help, I Shrunk My Friends...
1899: Chris Nokes – VFX Supervisor – DNEG
Chris Nokes is working in visual effects for almost 20 years. He has worked at various studios such as Intelligent Creatures and Rocket Science...