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SOLO – A STAR WARS STORY: Rob Bredow (Overall Visual Effects...

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Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

AVENGERS – INFINITY WAR: Kelly Port (VFX Supervisor) with Phil Cramer...

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In 2014, Kelly Port explained to us the work of Digital Domain on MALEFICENT. He then worked on FREE STATE OF JONES and BEAUTY AND THE BEAST. He is back in the MCU with AVENGERS: INFINITY WAR.

BLACK PANTHER: Scott Meadows – Previsualization Supervisor – Digital Domain

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Scott Meadows is working in visual effects for more than 20 years. In 2008, he joined Digital Domain to take the lead of the previsualization department. He works on many projects such as TRON: LEGACY, X: FIRST CLASS, ENDER'S GAME and BEAUTY AND THE BEAST.

16th Annual VES Awards: The Nominations

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The nominations for the 16th Annual VES Awards have just been announced! OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE Blade Runner 2049 John Nelson Karen Murphy...

Oscars 2018: the 20 contenders for the Best VFX

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The Academy of Motion Picture Arts and Sciences have announced the 20 films for the Best Visual Effects for the 90th Academy Awards: ALIEN:...

PADDINGTON 2: Andy Kind & Glen Pratt – VFX Supervisors –...

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Andy Kind has been working in visual effects for over 24 years. He worked on many projects like CATS AND GODS, BABE: PIG IN THE CITY and GLADIATOR. Then he joined Framestore in 2001 and work on many Harry Potter movies, CHILDREN OF MEN, THE GOLDEN COMPASS, GRAVITY and the first PADDINGTON movie. Glen Pratt began his visual effects career in 2001 at Double Negative. He then worked in many studios such as MPC, LipSync Post, Nexus Productions and Framestore. He has worked on films like TOTAL RECALL, DRACULA UNTOLD, EVEREST and BEAUTY AND THE BEAST.

ARRIVAL: Philippe Théroux (VFX Supervisor) & Nicolas-Alexandre Noël (CG supervisor) –...

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In 2015, Philippe Théroux spoke to us about Hybride's work on UNBROKEN. He then took care of the effects of TOMORROWLAND, JURASSIC WORLD, STAR WARS: THE FORCE AWAKENS and WARCRAFT. Nicolas-Alexandre Noël has been working at Hybride for nearly 10 years. He has worked on numerous projects such as AVATAR, PACIFIC RIM, STAR WARS: THE FORCE AWAKENS and WARCRAFT.

THE LEGEND OF TARZAN: François Dumoulin – VFX Supervisor – Rodeo...

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Last year, Francois Dumoulin talked to us about the work of Rodeo FX on FANTASTIC FOUR. He then worked on IN THE HEART OF THE SEA. After THE LEGEND OF TARZAN which he explains his work today, he is now working on VALERIAN AND THE CITY OF A THOUSAND PLANETS.

Interviews of the Week #13

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300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with Sheldon Stopsack and Adam Davis (CG Supervisors) – MPC In 2012, Charley Henley had...

MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX

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In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.