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In 2016, Guillaume Rocheron explained to us the work of MPC on BATMAN V SUPERMAN: DAWN OF JUSTICE. He talks to us today about his work as Overall VFX Supervisor on GHOST IN THE SHELL.

Mike Seymour (for Wired) presents the beautiful work of MPC on GHOST IN THE SHELL: WANT TO KNOW MORE? MPC: My interview of Axel Bonami, VFX...

Check out the final trailer for GHOST IN THE SHELL: The VFX are made by: MPC (VFX Supervisors : Axel Bonami and Arundi Asregadoo) Atomic Fiction (VFX...

Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

After explaining the MPC work on PROMETHEUS, Charley Henley is back on The Art of VFX. It details his work on TOTAL RECALL.

Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.

After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.