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CHRONICLE: Raymond Chen – VFX Supervisor – Rhythm & Hues

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Raymond Chen worked over 15 years at Rhythm & Hues. It starts as lighter on films such as BABE: PIG IN THE CITY, CATS & DOGS or X2. Then he was worked on THE FAST AND THE FURIOUS: TOKYO DRIFT as VFX supervisor and then as the same position on projects like THE GOLDEN COMPASS, NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN or HOP. In the following interview, Raymond talks about his work, including the aerial sequences of CHRONICLE.

THOR: Kelly Port – VFX Supervisor – Digital Domain

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Kelly Port began his career in 1995 at Digital Domain on APOLLO 13. He participated in many projects of the studios such as TITANIC, RED PLANET or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will also oversee the effects of movies like WE OWN THE NIGHT, STAR TREK or THE A-TEAM.

TRON LEGACY: Chris Harvey – VFX Supervisor – Prime Focus

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Having worked in all areas of visual effects at Prime Focus and Frantic Films, Chris Harvey become VFX supervisor and works on movies such as JOURNEY TO THE CENTER OF THE EARTH, GI JOE: RISE OF THE COBRA and THE A-TEAM. He also works as a stereo consultant for movies like AVATAR.