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WARM BODIES: Dan Schrecker – VFX Supervisor – Look Effects
Two years ago, Dan Schrecker had explained his work on BLACK SWAN. He then oversaw the effects of films such as LIMITLESS, THE SITTER or MOONRISE KINGDOM. Accompanied by Matt Krentz, Digital Supervisor, he talks about the effects of WARM BODIES.
FLIGHT: Kevin Baillie – VFX Supervisor – Atomic Fiction
Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.
TOTAL RECALL: Sean Farrow – VFX Supervisor – Lipsync Post
Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.
OCEANS: Arno Fouquet – VFX Supervisor – L’E.S.T.
Arno Fouquet and Christian Guillon from L'E.S.T. were responsible for general visual effects supervision on OCEANS, the new documentary feature by Jacques Perrin. The visual effects were dispatched between BUF, Mikros Image and Def2Shoot. In the following interview, Arno Fouquet talks about L'E.S.T. and his work on OCEANS.
GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.