Furious 6 - résultats de la recherche

Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.

Jonathan Weber began his career in the visual effects in 2007 by joining RISE. He works on numerous projects such as NINJA ASSASSIN, CLOUD ATLAS, CAPTAIN AMERICA: CIVIL WAR or THE MAN FROM U.N.C.L.E. As VFX Supervisor, he took care of the effects of THE BOOK THIEF, BORGIA and THE FATE OF THE FURIOUS.

In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

Last year, Alex Wang explained to us about the work of Digital Domain on DEADPOOL. He then joined the teams of Double Negative and talks about his work on THE FATE OF THE FURIOUS.

In 2016, Kelvin McIlwain explained to us about his work on CENTRAL INTELLIGENCE. Today, he talks about the new episode of the FAST & FURIOUS saga with his work on THE FATE OF THE FURIOUS.

New action packed trailer for THE FATE OF THE FURIOUS: The VFX are made by: Digital Domain (VFX Supervisor: Jay Barton) Double Negative (VFX Supervisor: Alex Wang) Pixomondo...

The Academy of Motion Picture Arts and Sciences have announced the preliminary shortlist for the Best Visual Effects Award for the 88th Academy Awards: ANT-MAN AVENGERS:...

Excellent first look of FURIOUS 7 with flying cars and new VFX shots: The VFX are made by: Digital Domain (VFX Supervisors : Jay Barton &...

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.