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Pete Bebb began his career in the VFX on PITCH BLACK at Double Negative in 2000. He worked on many projects such as DIE ANOTHER DAY, BATMAN BEGINS, THE BOURNE ULTIMATUM or The Dark Knight. As a VFX supervisor, he took care of the effects of films like INCEPTION and THE DARK KNIGHT RISES.
Here are the nominations for the 13th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture DAWN OF...
Allan Magled began his career in the VFX in 1995 working at CORE Digital Pictures. In 2002, he founded Soho VFX with Berj Bannayan and Mike Mombourquette and worked on many projects including THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE, X-MEN: THE LAST STAND, THE A-TEAM or RISE OF THE PLANET OF THE APES.
Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.
Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.
During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.
Matt Dessero began his career in the VFX more than 15 years ago. He worked in many studios such as CFC, Sony Imageworks, ESC Entertainment and recently Method Studios. He has worked on films like AMERICAN BEAUTY, MATRIX REVOLUTIONS, WATCHMEN, ARGO or CLOUD ATLAS.
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