god of war - résultats de la recherche

Great news! Shade VFX will open an office in New York! Here is the press release: SHADE VFX EXPANDS TO NEW YORK David Van Dyke Promoted to...

Christian Manz began his career in visual effects at Framestore in 1997 as a runner. He then made his way in the Compositing Department. He oversaw the effects of projects such as SPOOKS, PRIMEVAL, NANNY MCPHEE AND THE BIG BANG or HARRY POTTER AND THE DEATHLY HALLOWS: PART 1.

Mert Kizilay is a designer and director based in Los Angeles. He graduated from Fine Arts Animation School in Eski?ehir/Turkey. He has recently joined the teams of yU+co as designer.

During his last visit, Aaron Weintraub explained the work of Mr. X on TRON: LEGACY. He then worked on projects like THE THREE MUSKETEERS, TWILIGHT: BREAKING DAWN - PART 1, THE THING, RESIDENT EVIL: RETRIBUTION and MAMA . Craig Calvert worked in the VFX for over 13 years. He has worked on projects such as I, ROBOT, TROPIC THUNDER or ANGELS & DEMONS. He then joined Mr. X in 2010 and participates in films like REPO MEN, TRON: LEGACY, THE VOW or RESIDENT EVIL: AFTERLIFE.

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Christopher Townsend joined ILM in 1995. He stayed 11 years there and will work on projects such as CONGO, ARTIFICIAL INTELLIGENCE: AI, HULK and also the new STAR WARS trilogy. Since 2008, he is VFX supervisor and take care of movies such as JOURNEY TO THE CENTER OF THE EARTH, NINJA ASSASSIN or CAPTAIN AMERICA: THE FIRST AVENGER.

Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.

Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.

Jon Neill joined Cinesite more than 15 years ago. He has worked on many projects such as EVENT HORIZON, LOST IN SPACE, THE HITCHHIKER'S GUIDE TO THE GALAXY or HARRY POTTER AND THE ORDER OF THE PHOENIX. As VFX supervisor, he took care of JOHN CARTER.

Olivier Cauwet is back on The Art of VFX. After explaining the challenges for SUR LA PISTE DU MARSUPILAMI, Olivier explains his work on the remake of TOTAL RECALL.