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Erin Sarofsky started here career at Digital Kitchen in 2001. She has worked on titles such as MONA LISA SMILE, GHOST WHISPERER or STICK IT. In 2008, she founded her studio Sarofsky.

During his last interview, Nicolas Aithadi explained in details the work of MPC on 47 RONIN. He is back with the space opera of Marvel, GUARDIANS OF THE GALAXY.

In 2012, David Sheldon-Hicks explained in details about the work of Territory Studio on PROMETHEUS. He then worked on many projects such as ZERO DARK THIRTY, FAST & FURIOUS 6 or JACK RYAN: SHADOW RECRUIT.

Last year, Dan Levitan had explained to us in detail the work of Hammerhead on GANGSTER SQUAD. He then worked on the effects of THE HANGOVER PART III and HEAVEN IS FOR REAL.

Francois Dumoulin is in the VFX industry for more than 16 years. He is one of the founders of Parisian studio La Maison where he worked on films like THE MAN WITHOUT A HEAD, DEMONLOVER, LES ENFANTS DE TIMPELBACH or UPSIDE DOWN. He joined Rodeo FX in 2012 and worked on projects such as NOW YOU SEE ME, THE HUNGER GAMES: CATCHING FIRE or PACIFIC RIM.

Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.

Chris MacLean has joined the team of Mr. X in 2010. He has participated in many RESIDENT EVIL, THE THING or CARRIE. This is his fourth film with director Paul W.S. Anderson.

After explaining the work of Framestore on JOHNNY ENGLISH REBORN, Rob Duncan oversaw the visual effects of THE DICTATOR. He is back to talk about his work on the remake of ROBOCOP.

Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.