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Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.
Kirk Shintani worked for many years as a freelancer before joining teams of a52/elastic. In the following interview, he talks about his work on the main title of GAME OF THRONES for which he received an Emmy Award.
Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.
Having worked in all areas of visual effects at Prime Focus and Frantic Films, Chris Harvey become VFX supervisor and works on movies such as JOURNEY TO THE CENTER OF THE EARTH, GI JOE: RISE OF THE COBRA and THE A-TEAM. He also works as a stereo consultant for movies like AVATAR.
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.
Having worked as digital compositor at Mikros Image on films such as THE DALTONS, LOCKED OUT or TELL NO ONE, Cédric Fayolle becomes visual effects supervisor on PRICELESS. It since supervised several films like THE FOX AND THE CHILD, TOKYO!, THE VILLAIN. In the interview which follows, he speaks to us in particular about his collaboration with the director.