lion king - résultats de la recherche

Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.

In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

Tadao Matsuno has been working in visual effects for almost 20 years. He has worked on films such as CHARLIE'S ANGELS, PINGPONG, VEXILLE and TOMORROW'S JOE. He has been working at Oxybot since 2004.

Will Reichelt has nearly 20 years of experience in the visual effects, most of which at Animal Logic. He has worked on films like WORLD TRADE CENTER, AUSTRALIA, KNOWING and SUCKER PUNCH. As a VFX Supervisor, he took care of the effects of films such as WALKING WITH DINOSAURS 3D and MONK COMES DOWN THE MOUNTAIN. With more than 32 years of experience in animation and VFX, Rob Coleman has worked on many films such as THE MASK, DRAGONHEART, STAR WARS (EPISODES I to III), HAPPY FEET TWO and THE LEGO BATMAN MOVIE.

Andrew Whitehurst began his visual effects career at Electric Image in 1998. He joined Framestore in 2003. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.

In 2016, Craig Hammack explained the work of ILM on DEEPWATER HORIZON. He then worked on ROGUE ONE: A STAR WARS STORY.

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.

Before joining Trixter in 2017, Michael Wortmann worked in several studios such as Animal Logic, Cinesite, Weta Digital, Pixomondo and Chimney. As a VFX Supervisor, he took care of the effects of shows like GAME OF THRONES, STAR TREK: INTO DARKNESS, GOOD KILL and ATOMIC BLONDE.

Robert Pinnow has been working in visual effects for almost 20 years. He founded RISE in 2007 with Florian Gellinger, Sven Pannicke and Markus...