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MAN OF STEEL: Guillaume Rocheron – VFX Supervisor – MPC

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Just before Christmas 2012, Guillaume Rocheron had explained to us his work on LIFE OF PI. Now he talks about the visual effects of MPC on MAN OF STEEL.

STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo

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Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.

FAST & FURIOUS 6: David Vickery – Overall VFX Supervisor –...

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Last year, David Vickery explained the work of Double Negative on THE PIRATES! BAND OF MISFITS. This time he talks about crazy car chases, giant airplane and CG cars for FAST & FURIOUS 6.

IRON MAN 3: Bryan Grill – VFX Supervisor – Scanline VFX

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During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.

FMX 2013 Summary

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Here is my summary of FMX 2013. It was a great edition full of interesting conferences and meetings. See you in 2014.

OBLIVION: Bjørn Mayer – VFX Supervisor – Pixomondo

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Bjørn Mayer began his career in visual effects more than 10 years ago. He worked at Pixomondo on films such as RED BARON, 2012, RED TAILS or HUGO.

ANNA KARENINA: Dominic Parker & Tom Debenham – Founders & VFX...

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Prior to founding One Of Us with Rachael Penfold in 2006, Tom Debenham and Dominic Parker worked at Framestore for many years. They participated in projects like MISSION IMPOSSIBLE II, CHICKEN RUN or RESIDENT EVIL. At One of Us, they have been working on THE TREE OF LIFE or MIRROR MIRROR.

THE EXPENDABLES 2: Ajoy Mani – VFX Supervisor – Worldwide FX

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Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.

THE AVENGERS: Jeff White – VFX Supervisor – ILM

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Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.

CHRONICLE: Raymond Chen – VFX Supervisor – Rhythm & Hues

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Raymond Chen worked over 15 years at Rhythm & Hues. It starts as lighter on films such as BABE: PIG IN THE CITY, CATS & DOGS or X2. Then he was worked on THE FAST AND THE FURIOUS: TOKYO DRIFT as VFX supervisor and then as the same position on projects like THE GOLDEN COMPASS, NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN or HOP. In the following interview, Raymond talks about his work, including the aerial sequences of CHRONICLE.