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MALEFICENT: Kelly Port – VFX Supervisor – Digital Domain

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Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

ROBOCOP: Craig Calvert – Previs Lead & CG Supervisor – Mr....

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Last year, Craig Calvert had told us about the previs work of Mr. X on PACIFIC RIM. He then worked on the TV series THE STRAIN. And now he explains his work on the remake of ROBOCOP.

CAPTAIN PHILLIPS: Adam Rowland – VFX Supervisor – Nvizible

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Adam Rowland works in visual effects for over 8 years. He has participated in many TV series like DR WHO or GENERATION KILLS and also on several movies such as PRINCE OF PERSIA: THE SANDS OF TIME, 28 WEEKS LATER or SKYFALL.

THE WOLVERINE: Tim Crosbie – VFX Supervisor – Rising Sun Pictures

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Tim Crosbie began his career in the VFX more than 15 years ago and has worked on movies such as WHAT DREAMS MAY COME, THE MATRIX or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Tim is a part of the Rising Sun Pictures team for over ten years and supervised the effects of films like THE LAST SAMURAI, SUPERMAN RETURNS, PROMETHEUS or THE GREAT GATSBY.

STAR TREK INTO DARKNESS: Kevin Baillie – VFX Supervisor – Atomic...

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A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.

MAN OF STEEL: Chad Wiebe – VFX Supervisor – Scanline VFX

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In 2011, Chad Wiebe talked about his work on FINAL DESTINATION 5. He has since joined Scanline VFX and worked on BATTLESHIP. Today he explains his work on MAN OF STEEL.

FAST & FURIOUS 6: Koen Vroeijenstijn – CG Supervisor – Image...

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Koen Vroeijenstijn worked in the video game at Guerrilla Games before coming to the U.S. and joining DreamWorks Animation. He worked on projects such as KUNG FU PANDA, MEGAMIND or RISE OF THE GUARDIANS. He then joined Image Engine to work on ELYSIUM.

IRON MAN 3: Guy Williams – VFX Supervisor & Aaron Gilman...

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Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

FLIGHT: Kevin Baillie – VFX Supervisor – Atomic Fiction

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Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.

CLOUD ATLAS: Florian Gellinger – VFX Supervisor – RISE

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Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.