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THE EXPENDABLES 3: Nigel Denton-Howes – VFX Supervisor – Prime Focus...

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Nigel Denton-Howes joined Prime Focus World in 2014. Before that he worked at Image Engine, Digital Domain and Sony Pictures Imageworks. He has worked on films such as DISTRICT 9, BATTLESHIP or THE AMAZING SPIDER-MAN 2.

Interviews of the Week #36

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Here is the recap of my interviews of the week #36. So you won't miss any of them. SIN CITY - A DAME TO KILL...

SIN CITY – A DAME TO KILL FOR: Merzin Tavaria –...

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Merzin Tavaria co-founded Prime Focus World in 1995. He began his career as an editor. He then became VFX Supervisor and now holds the position of Chief Creative Officer at Prime Focus World.

EDGE OF TOMORROW: Jonathan Fawkner – VFX Supervisor – Framestore

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In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.

GODZILLA: Ferran Domenech – Animation Supervisor – MPC

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Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with...

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In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.

47 RONIN: Nicolas Aithadi – VFX Supervisor – MPC

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In 2011, Nicolas Aithadi had explained to us in details the work of MPC on X-MEN: FIRST CLASS. This time, he talks about his work on 47 RONIN.

THE WORLD’S END: Frazer Churchill – VFX Supervisor – Double Negative

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In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.

WHITE HOUSE DOWN: Martyn Culpitt (VFX Supervisor) & Mark Wendell (CG...

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Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012. Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.

THE WOLVERINE: James Rogers – VFX Supervisor – Method Studios

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James Rogers had explained us about his work on DAYBREAKERS. He then joined Method Studios and worked on many projects like THE HUNTER, ARGO or SEVEN PSYCHOPATHS.