gravity - résultats de la recherche

The Hollywood Post Alliance have just published the list of the nominees for the 2014 HPA Awards. The winners will be announced the November...

Merzin Tavaria co-founded Prime Focus World in 1995. He began his career as an editor. He then became VFX Supervisor and now holds the position of Chief Creative Officer at Prime Focus World.

Here is the recap of my interviews of the week #34. So you won't miss any of them. GUARDIANS OF THE GALAXY: Stephane Ceretti -...

Kyle McCulloch is in visual effects for over 15 years. He worked in many studios such as Curious Pictures, The Orphanage or ILM. He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Mark Wilson began his career in the VFX in 1999 at Passion Pictures. Then he joined Framestore in 2006 and worked on films like AVATAR, LINCOLN or GRAVITY.

Richard Baker began his career in visual effects as compositing artist. He worked on projects like THE HITCHHIKER'S GUIDE TO THE GALAXY, SUNSHINE, ANGELS & DEMONS or CLASH OF THE TITANS. He then got interested in the stereoscopy and joined Prime Focus World. There he take care of movies like FRANKENWEENIE, WORLD WAR Z or GRAVITY.

EDGE OF TOMORROW: Matt Kasmir – VFX Supervisor – Nvizible Matt Kasmir began his career in the VFX in 1988 at The Computer Film Company....

In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.

Matt Kasmir began his career in the VFX in 1988 at The Computer Film Company. He works in the compositing and participates in many films such as KING KONG, V FOR VENDETTA or STARDUST. He joined Nvizible for GRABBERS and works on films like WRATH OF THE TITANS, SKYFALL or GRAVITY.

Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.